Pennine poet Simon Armitage passed through Kielder Forest, Europe’s biggest man-made forest, in his ‘Walking Home’, a dour and wonderful travelogue along the Pennine Way:
As well as providing an infinite supply of liquid refreshment for the region’s midge population, Kielder Water was built to service the heavy industries of England’s north-east coast, but by the time the reservoir was opened those industries had all but disappeared. Some claim that Kielder is not only a white elephant but an environmental calamity, the monoculture of Sitka spruce and its lookalikes signalling the end of biodiversity and effectively carpeting over what was once a rare and treasured moorland habitat. Those with vested interests argue otherwise, that the forest provides sanctuary for endangered wildlife such as red squirrel and raptors, that it offers endless recreational facilities, and that the reservoir, in a warmer world with an uncertain meteorological future, is a well that never runs dry.
Monoculture possibly, monotonous without doubt. In fact it’s plain old boring, slogging along the gravel access road with a drawn curtain of trees on either side. Review in The Guardian of Walking Home.
Penguin publisher Simon Prosser on his experience reading Landmarks by Robert Macfarlane.
“When I finished reading the first draft of Robert Macfarlane’s new book on landscape and language, I found that my vocabulary had notably and delightfully expanded:
I now knew ‘rionnach maoim’ (a Hebridean Gaelic term for ‘the shadows cast by cumulus clouds on moorland on a sunny, windy day’); ‘smeuse’ (Sussex dialect for ‘the hole in the base of a hedgerow made by the repeated passage of a small animal’); ‘af’rug’ (a Shetland word for ‘the reflex of a wave after it has struck the shore’); and ‘wind-fucker’ (the perfect East Anglian dialect nickname for a kestrel), along with ‘blonking’ (snowing), ‘babbing’ (fishing for eels) and ‘jirglin’ (playing about with water).”
All of these words, and thousands more, collected over a decade by Rob from the Shetlands to Cornwall, from Pembrokeshire to Suffolk, and from old Norse to Romani, appear in Landmarks, in the nine glossaries which interleave the ten chapters of the book. (Landmarks also describes Rob’s journeys into the mines of Cumbria, the moors of the Hebrides and the corries of the Cairngorms, as well as his meetings with glossarians, poets and word-collectors up and down the country.)
Landmarks is a book about the power of language – ‘strong style, single words’ in Rob’s phrase – to shape our sense of place. It is both a field-guide to the literature he loves (Nan Shepherd, Barry Lopez and Roger Deakin and more) and also a ‘Word-Hoard’, to borrow the title of the opening chapter. Over the course of the book we can chart a kind of love-affair between writer and language. The authors Rob is most drawn to tend to write with an exact and committed intensity about their chosen landscapes, in styles strong enough to revise our imaginary relations with places. They aim, in the words from Emerson which Rob quotes in the book, to ‘pierce…rotten diction and fasten words to visible things’, They are celebrants of the specific – and so too is Rob. More here
Robert Macfarlane describes his favourite trail in this article here. It goes from the the town of Tarbert to the village of Rhenigidale on the Isle of Harris.
Along the southeastern coast of the Isle of Harris in the Outer Hebrides runs one of the most beautiful paths I know: an old green track, only six miles or so long, that joins the town of Tarbert to the village of Rhenigidale. Two summers ago I spent a week walking across Lewis and North Harris, camping in shielings and fishing in lochs as I went, finally reaching Rhenigidale, where I slept in the little white-walled youth hostel.
The next morning, I followed the green track west to Tarbert, contouring first above steep-sided sea coves and then dropping into a glen called Trollamaraig in which a dwarf forest of willow, aspen, honeysuckle and foxglove flourishes. Then it was up, steeply up, zigzagging the east face of a hill called the Scriob until the path eased and led me between two peaks — Trolamal and Beinn Tharsuinn. On that clear day the landscape to my west was wonderfully visible, laid out like
a map: an intricate weave of moor, crag, scarp and shining lochans. A storm blew in and over, and I walked the final miles along shining tracks
and under rainbows.
Photo “The Rhenigidale path looking back down the route of ascent.” © Copyright Jimmy Hill and licensed for reuse under this Creative Commons Licence. Geograph